Vol. 10, No. 1 (2010)

Contents

• Can The Madness Be Monetized? An Exploratory Survey of Music Piracy and Acquisition Behavior, Storm Gloor, University of Colorado Denver; Clyde Philip Rolston, Belmont University
• The Impact of Late Night Television Musical Performances on the Sale of Recorded Music, Terry Tompkins, Drexel University
• Navigating Proximities: The Creative Identity of the Hired Musician, Alan Williams, University of Massachusetts Lowell
• Termination of Copyright Transfers: Whether Sound Recordings Created On or After 1978 Constitute Works Made for Hire Under the Copyright Act of 1976, Stephanie R. Taylor, Middle Tennessee State University
• Is the Long Tail Really Wagging? Stephen Marcone, William Paterson University
• Coping with Narcissism: Causes, Effects, and Solutions for the Artist Manager, Paul S. Linden, University of Southern Mississippi
• Learning That is Greater Than the Sum of Its Parts: Efforts to Build and Sustain an Integrative Learning Model in Music Management, David Chase, University of the Pacific; Keith Hatschek, University of the Pacific
• Shaping Future Audio Engineering Curricula: An Expert Panel’s View, David Tough, Belmont University
• Creating Virtual Internships in the Music Business, Timothy L. Channell, Radford University; Dennis M. Anderson, Marshall University

• Monica A. Coates. The Beginner’s Guide to the Gospel Music Industry: A Handbook for Aspiring Artists and Industry Executives: Mark Crawford, Tennessee State University
• Allen Bargfrede and Cecily Mak. Music Law in the Digital Age: Caz McChrystal, University of Wisconsin – Stevens Point
• Peter Spellman. Indie Business Power: A Step-by-Step Guide for 21st Century Music Entrepreneurs: Rich Meitin, Minnesota State University, Mankato
• Bar Biszick-Lockwood. Restless Giant: The Life and Times of Jean Aberbach & Hill and Range Songs: Dick Weissman, University of Colorado Denver & Portland Community College
• Tommy James with Martin Fitzpatrick. Me, The Mob and the Music: One Helluva Ride with Tommy James and the Shondells: Dick Weissman, University of Colorado Denver & Portland Community College
• John Broven. Record Makers and Breakers: Voices of the Independent Rock ’n’ Roll Pioneers: Dick Weissman, University of Colorado Denver & Portland Community College