Vol. 8, No. 1 (2008)

Credits
From the Editor

Contents

• U.S. Music Industry Statistics: A Reappraisal, Peter Alhadeff, Berklee College of Music
• “Selling Out” Taken To New Levels: The Evolving Relationship Between Brands, Artists, and Record Labels, Storm Gloor, University of Colorado Denver
• Identifiers Used in the Music Industry, Serona Elton, University of Miami
• David Blakely: A Life in Music, Politics, Publishing, and Printing, Ava Lawrence, Northeastern University
• Technology, Copyright Law and the Future: The Contemporary Australian Music Industry, Ben O’Hara, Box Hill Institute
• Testing “Music 2.0”: Building an International Network of Student-Run Music Companies to Assess New Music Business Models, Guy Morrow, Macquarie University
• Keeping Classical Music Alive: Strategies of Three Orchestral Titans, Mary Jarchow (undergraduate student), Berklee College of Music
• The Concert Business: Then and Now, Julie Lokin, President, New Audiences Productions

• Arthur Bernstein, Naoki Sekine, and Dick Weissman. The Global Music Industry: Three Perspectives: Dave Kopplin, California State Polytechnic University, Pomona
• Tad Lathrop. This Business of Global Music Marketing: Global Strategies for Maximizing Your Music’s Popularity and Profits: Dave Kopplin, California State Polytechnic University, Pomona
• Erik Darling. "I’d Give My Life!” From Washington Square to Carnegie Hall: A Journey by Folk Music: Dick Weissman, University of Oregon, Portland Community College, University of Colorado Denver
• Michael F. Scully. The Never-Ending Revival: Rounder Records and the Folk Alliance: Dick Weissman, University of Oregon, Portland Community College, University of Colorado Denver
• Denny Tedesco, Producer/Director. The Wrecking Crew (DVD): Dave Tough, Belmont University
• Keith Holzman. The Complete Guide to Starting a Record Company: Serona Elton, University of Miami