Vol. 11, No. 1 (2011)
Contents
- The Origins of Mechanical Licensing of Musical Compositions, Serona Elton, University of Miami
- A Quantitative Analysis of Entertainment Consumption: 1984-2009, Stuart J. Fowler, Middle Tennessee State University; Jennifer J. Fowler, Belmont University
- Just How Long Is Your “Fifteen Minutes?” An Empirical Analysis of Artists’ Time on the Popular Charts, Storm Gloor, University of Colorado Denver
- Can I Get a (Defense Expert) Witness? The Role of the Expert Witness for the Defense in a Music Copyright Infringement Matter, E. Michael Harrington, William Paterson University
- Cautionary Tales from the Changing World of the Hollywood Film and Television Studio Musician, Simeon Pillich, Occidental College, Colburn School Conservatory of Music
- Slipknot…or Not: Applying Stakeholder Management Theory to Entertainment Venue Booking Decisions, Philip C. Rothschild, Missouri State University
- Balancing Music Industry Curricula in Undergraduate Degree Programs: A Course Distribution Survey and Analysis, Keith Hatschek, University of the Pacific
- A Model for Teaching Master-Level Audio Production: “COLA”, Timmy Tappan, Belmont University
- Music Industry Administration in the Digital Age – A brief description of the evolution of current industry practices and some of the challenges to come: Will our college graduates possess the necessary skills to enter this marketplace? Melissa Wald, Middle Tennessee State University
- The Biggest Show on Earth: The U2 360-Degree Tour and Its Implications for the Concert Industry, Dan Dicker (undergraduate student), Indiana University
Reviews
- Peter Doggett. You Never Give Me Your Money: The Beatles After the Breakup: Kenneth Creech, Butler University
- Jay Frank. FUTUREHIT.DNA: How The Digital Revolution Is Changing Top 10 Songs: Storm Gloor, University of Colorado Denver
- Jeffrey Brabec and Todd Brabec. Music, Money, and Success: The Insider’s Guide to Making Money in the Music Business: Serona Elton, University of Miami
- Moses Avalon. 100 Answers to 50 Questions on the Music Busine$$: Dick Weissman, University of Colorado Denver, Portland Community College
- Ramon Ricker. Lessons From a Street-Wise Professor: What You Won’t Learn at Most Music Schools: Dick Weissman, University of Colorado Denver, Portland Community College
- Kent Crowley. Surf Beat: Rock ‘n’ Roll’s Forgotten Revolution: Dick Weissman, University of Colorado Denver, Portland Community College
- Monika Herzig. David Baker: A Legacy in Music: David Kopplin, California State Polytechnic University, Pomona