Vol. 11, No. 1 (2011)

• The Origins of Mechanical Licensing of Musical Compositions,  Serona Elton, University of Miami
• A Quantitative Analysis of Entertainment Consumption: 1984-2009,  Stuart J. Fowler, Middle Tennessee State University; Jennifer J. Fowler, Belmont University
• Just How Long Is Your “Fifteen Minutes?” An Empirical Analysis of Artists’ Time on the Popular Charts, Storm Gloor, University of Colorado Denver
• Can I Get a (Defense Expert) Witness? The Role of the Expert Witness for the Defense in a Music Copyright Infringement Matter, E. Michael Harrington, William Paterson University
• Cautionary Tales from the Changing World of the Hollywood Film and Television Studio Musician, Simeon Pillich, Occidental College, Colburn School Conservatory of Music
• Slipknot…or Not: Applying Stakeholder Management Theory to Entertainment Venue Booking Decisions,  Philip C. Rothschild, Missouri State University
• Balancing Music Industry Curricula in Undergraduate Degree Programs: A Course Distribution Survey and Analysis, Keith Hatschek, University of the Pacific
• A Model for Teaching Master-Level Audio Production: “COLA”, Timmy Tappan, Belmont University
• Music Industry Administration in the Digital Age – A brief description of the evolution of current industry practices and some of the challenges to come: Will our college graduates possess the necessary skills to enter this marketplace? Melissa Wald, Middle Tennessee State University
• The Biggest Show on Earth: The U2 360-Degree Tour and Its Implications for the Concert Industry, Dan Dicker (undergraduate student), Indiana University

• Peter Doggett. You Never Give Me Your Money: The Beatles After the Breakup: Kenneth Creech, Butler University
• Jay Frank. FUTUREHIT.DNA: How The Digital Revolution Is Changing Top 10 Songs: Storm Gloor, University of Colorado Denver
• Jeffrey Brabec and Todd Brabec. Music, Money, and Success: The Insider’s Guide to Making Money in the Music Business: Serona Elton, University of Miami
• Moses Avalon. 100 Answers to 50 Questions on the Music Busine$$: Dick Weissman, University of Colorado Denver, Portland Community College
• Ramon Ricker. Lessons From a Street-Wise Professor: What You Won’t Learn at Most Music Schools: Dick Weissman, University of Colorado Denver, Portland Community College
• Kent Crowley. Surf Beat: Rock ‘n’ Roll’s Forgotten Revolution: Dick Weissman, University of Colorado Denver, Portland Community College
• Monika Herzig. David Baker: A Legacy in Music: David Kopplin, California State Polytechnic University, Pomona